I lived with Sharon's art one summer when she and her family were in Spain. I was house-sitting, and trying to edit a libretto by Carlo Goldoni translated by W.H.Auden. Sharon cut up texts and used the words, let us say, to collage into drawings. In the autumn I gave her a Xerox of Auden's old typewritten manuscript. In the spring her three collages illuminated the published edition of Arcifanfaro.